In their 28 November Russian Art Sale, Christie’s are honoured to offer perhaps the finest and grandest pair of Russian porcelain vases to appear at auction in recent memory. Over the years, Christie’s have been entrusted with the sale of numerous important pairs of Russian vases and have achieved the highest price ever paid at auction for a pair of Russian porcelain vases in 2006.
These magnificent vases were presented by Emperor Nicholas I to Karl Ludwig Graf von Ficquelmont (1777-1857), who served as the Austrian Ambassador Extraordinaire to the Russian court from 1829-1839. Graf von Ficquelmont was one of Chancellor Metternich’s closest advisors and exercised substantial influence at both the Austrian and Russian courts. After a decade of service, Graf von Ficquelmont was called back to Vienna in 1839 to assume the duties of Foreign Office during the absence of Prince Metternich. Given the impressive size and date of this pair of vases, they were presented out of recognition for his exceptional service to the Imperial court.
During the reign of Nicholas I, many of the vases produced by the Imperial Porcelain Factory were decorated with copies of Old Master paintings, by using the middle section of the vase as a canvas. The paintings were typically scaled-down, faithful copies of original works in the Imperial Hermitage, the Academy of Arts or from collections in the Imperial palaces in the vicinity of St Petersburg. The names of both the original artist and factory artist were usually added to the vase paintings.
The remarkably detailed, colourful and varied paintings on the present vases are signed by the Imperial Porcelain Factory artist M. Kornilov (d. 1852) and painted after canvases by the seventeenth-century Dutch painter, Philips Wouwerman (1619-1668), who was one of the most versatile and prolific artists of the Dutch Golden Age. Embedded in the artistic environment and tradition of his home town of Haarlem, Wouwerman made an important and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures were in demand during his lifetime, but even more sought after in the 18th century. Throughout Europe, formerly princely art collections like in Dresden and St. Petersburg still bear witness to this widespread and great admiration of Wouwerman’s elegant and picturesque refined works of art.
The painted scene on the second vase, dated 1836, is after Wouwerman’s canvas Departure for the Chase and similarly demonstrates his skill in painting both figures and landscapes on a grand scale. The original painting is now held in the collection of the Gemäldegalerie Alter Meister, Dresden. The original canvas, executed between 1665 and 1668, was acquired from the Parisian collection of Ambassador Bourbet de Vaux by August III, Elector of Saxonia and King of Poland (1693-1763) in 1749 and subsequently entered the Royal Picture Gallery’s collection in Dresden. The Dresden painting forms an impressive pendant to the Hermitage example, both taking as their subject Wouwerman’s signature theme of the hunt. Again the factory artist has acutely observed the fashionable figures and dynamic horses of Wouwerman’s original on the present vase.